Beat Generation Essay Example | Topics and Well Written Essays - 2250 words

Beat Generation - Essay Example The concluding edition was not published till six years after Kerouac wrote it in one extended paragraph in 1951. In 1957, the Beat poem â€Å"Howl† (by Kerouac’s friend Allen Ginsberg) had gained unsavory reputation; the newly published â€Å"On the Road â€Å"was proficient to ride the wave of attention in the Beats as well as make Kerouac an immediate celebrity â€Å"On the Road’s† cross-continental journeys are about Kerouac’s trips, mostly by car and bus and often accompanied by his friend Neal Cassady, the frenetic, charismatic, independent scholar from the West. Cassady’s name in the novel is Dean Moriarty. The novel begins with Dean and Sal Paradise (Kerouac) meeting in New York City and progresses through four mostly fast-paced trips, back and forth amid New York and California, up and down the Eastern Seaboard, along the Gulf Coast, and downs into Mexico, with notable stopovers in Denver and New Orleans, the latter to visit Old Bull Lee (William 3). The open road, poverty, drugs, alcohol, jazz, hunger, sex, speed, and characters met along the way create intense situations that allow the travelers to observe, react, and consider while becoming more familiar with their own identities. The novel’s two principal characters are the narrator, Sal, and his companion and hero, Dean Moriarty thinly veiled versions of Kerouac and his friend Neal Cassady. The book unfolds as a loosely connected series of episodes that document the pair’s adventures during a drunken and drug-ridden odyssey through the United States. Along the way, they meet and befriend an unforgettable gallery of American types: jazz singers, drug addicts, hitchhikers, and drifters. Their journey culminates in a revealing and darkly humorous stay in Mexico (Challi p 10). Much of â€Å"On the Road† is barely disguised autobiography, a document attesting to the

Hofstede analysis Essay Example for Free

Hofstede analysis Essay 1. Power distance: the extent to which the less powerful members of institutions and organisations within a country expect and accept that power is distributed unequally. 2. Individualism- the degree of interdependence a society maintains among its members. 3. Masculinity / Femininity-The fundamental issue here is what motivates people, wanting to be the best (masculine) or liking what you do (feminine).†¨ 4. Uncertainty avoidance The extent to which the members of a culture feel threatened by ambiguous or unknown situations and have created beliefs and institutions that try to avoid these †¨ 5. Long term orientation- the extent to which a society shows a pragmatic future-oriented perspective rather than a conventional historical short-term point of view. Power distance Thailand scores 64 on PDI index, slightly lower than the average Asian countries (71). It is a society in which inequalities are accepted; a strict chain of command and protocol are observed. Each rank has its privileges and employees show loyalty, respect and deference for their superiors in return for protection and guidance. This may lead to paternalistic management.†¨Thus, the attitude towards managers are more formal, the information flow is hierarchical and controlled. †¨Ã¢â‚¬ ¨Individualism With a score of 20 Thailand is a highly collectivist country. This is manifest in a close long-term commitment to the member group (a family, extended family, or extended relationships). Loyalty to the in-group in a collectivist culture is paramount, and over-rides most other societal rules and regulations. The society fosters strong relationships where everyone takes responsibility for fellow members of their group.†¨In order to preserve the in-group, Thai are not confrontational and in there communication a â€Å"Yes† may not mean an acceptance or agreement. An offence leads to loss of face and Thai are very sensitive not to feel shamed in front of their group. Personal relationship is key to conducting business and it takes time to build such relations thus patience is necessary as well as not openly discuss business on first occasions. †¨Ã¢â‚¬ ¨Masculinity / Femininity Thailand scores 34 on this dimension and is thus considered a feminine society. Thailand has the lowest Masculinity ranking among the average Asian countries of 53 and the World average of 50. This lower level is indicative of a society with less assertiveness and competitiveness, as compared to one where these values are considered more important and significant. This situation also reinforces more traditional male and female roles within the population.†¨Ã¢â‚¬ ¨ Uncertainty avoidance Thailand scores 64 on this dimension indicating a preference for avoiding uncertainty. †¨In order to minimize or reduce this level of uncertainty, strict rules, laws, policies, and regulations are adopted and implemented. The ultimate goal of this population is to control everything in order to eliminate or avoid the unexpected. As a result of this high Uncertainty Avoidance characteristic, the society does not readily accept change and is very risk adverse. Change has to be seen for the greater good of the in-group. †¨Ã¢â‚¬ ¨Long term orientation With a score of 56 Thailand is a Long Term Oriented culture though not as much as for most Asian countries. †¨LTO is manifest on their respect for tradition and inequality between people. †¨Amongst the values that are praised, working hard and having a sense of moderation are dominant. The investment in personal relationships and network is paramount. Protecting one’s face is key and a protocol in their non confrontational behavior.†¨Their concern is not to look for one truth which helps them be flexible and pragmatic in negotiations.†¨Thai favor long term oriented perspective and thus Thailand deadlines and timescales are fluid.

Biological and Psychoanalytic Perspectives in Psychology Essay

The psychoanalytic perspective grew out of subsequent psychoanalytic theories (1901, 1924, and 1940) following decades of interactions with clients with the use of an innovative procedure developed by Sigmund Freud that required lengthy verbal interactions with patients during which Freud probed deep into their lives. In a nutshell, the psychoanalytic perspective looked to explain personality, motivation, and psychological disorders by focussing on the influence of early childhood experiences, on unconscious motives and conflicts, and on the methods people use to cope with their sexual and aggressive urges. The Biological perspective on the other hand looks at the physiological bases of behaviour in humans and animals. It proposes that an organism’s functioning can be described in terms of the bodily structures and biochemical processes that cause behaviour. This paper attempts to examine the similarities and differences between the psychoanalytic perspective and the biologica l perspective with the key focus on the core assumptions and features of these perspectives as well as their individual strengths and weaknesses. The biological perspective examines how brain processes and other bodily functions regulate behaviour. It emphasizes that the brain and nervous system are central to understanding behaviour, thought, and emotion. It is believed that thoughts and emotions have a physical basis in the brain. Electrical impulses zoom throughout the brain’s cells, releasing chemical substances that enable us to think, feel, and behave. Renà © Descartes (1596–1650) wrote an influential book (De Homine [On Man]) in which he tried to explain how the behaviour of animals, and to some extent the behaviour of humans, could be like t... ...m and Irving B. Weiner Freud, S. (1957b). Some character types met with in psychoanalytic work. In J. Strachey (Ed. & Trans.), The standard edition of the complete psychological works of Sigmund Freud (Vol. 14, pp. 309–333). London: Hogarth Press. (Original work published 1916) McKinley, J. and Fryer, D. (2004), Higher Psychology: Approaches and Method. KEEGAN, G. (2002) Hodder and Stoughton, London, 298 pp Introduction to psychology 5t ed - Morgan and king Psychology science and understanding Barry d. smith (1998) McGraw-Hill Psyhology making sense david A. STATT - NEW YORK- HARPER AND ROW 1977 HANDBOOK of PSYCHOLOGY VOLUME 5 PERSONALITY AND SOCIAL PSYCHOLOGY Theodore Millon, Melvin J. Lerner/ Irving B. Weiner: Editor-in-Chief Waiten,W., (2007) Seventh Edition Psychology Themes and Variations. University of Nevada, Las Vegas: Thomson Wadsworth.

Fool Chapter 12

TWELVE A KING'S ROAD Having set the course of events in motion, I wonder now if my training to be a nun, and my polished skills at telling jokes, juggling, and singing songs fully qualify me to start a war. I have so often been the instrument of the whims of others, not even a pawn at court, merely an accoutrement to the king or his daughters. An amusing ornament. A tiny reminder of conscience and humanity, tempered with enough humor so it can be dismissed, laughed off, ignored. Perhaps there is a reason that there is no fool piece on the chessboard. What action, a fool? What strategy, a fool? What use, a fool? Ah, but a fool resides in a deck of cards, a joker, sometimes two. Of no worth, of course. No real purpose. The appearance of a trump, but none of the power. Simply an instrument of chance. Only a dealer may give value to the joker. Make him wild, make him trump. Is the dealer Fate? God? The king? A ghost? Witches? The anchoress spoke of the cards in the tarot, forbidden and pagan as they were. We had no cards, but she would describe them for me, and I drew their images on the stones of the antechamber in charcoal. â€Å"The fool's number is zero,† she said, â€Å"but that's because he represents the infinite possibility of all things. He may become anything. See, he carries all of his possessions in a bundle on his back. He is ready for anything, to go anywhere, to become whatever he needs to be. Don't count out the fool, Pocket, simply because his number is zero.† Did she know where I was heading, or do her words only have meaning to me now, as I, the zero, the nothing, seek to move nations? War? I couldn't see the appeal. Drunk, and dire of mood one night, Lear mused of war when I suggested that what he needed to cast off his dark aspect was a good wenching. â€Å"Oh, Pocket, I am too old, and the joy of a fuck withers with my limbs. Only a good killing can still boil lust in my blood. And one will not do, either. Kill me a hundred, a thousand, ten thousand on my command – rivers of blood running through the fields – that's what pumps fire into a man's lance.† â€Å"Oh,† said I. â€Å"I was going to fetch Shanker Mary for you from the laundry, but ten thousand dead and rivers of blood might be a bit beyond her talents, majesty.† â€Å"No, thank you, good Pocket, I shall sit and slide slowly and sadly into oblivion.† â€Å"Or,† said I, â€Å"I could put a bucket on Drool's head and beat him with a sack of beets until the floor is splattered crimson while Shanker Mary gives you a proper tug to accentuate the gore.† â€Å"No, fool, there is no pretending to war.† â€Å"What's Wales doing, majesty? We could invade the Welsh, perpetrate enough slaughter to raise your spirits, and have you back for tea and toast.† â€Å"Wales is ours now, lad.† â€Å"Oh bugger. What's your feeling on attacking North Kensington, then?† â€Å"Kensington's not a mile away. Practically in our own bailey.† â€Å"Aye, nuncle, that's the beauty of it, they'd never see it coming. Like a hot blade through butter, we'd be. We could hear the widows and orphans wailing from the castle walls – like a horny lullaby for you.† â€Å"I should think not. I'm not attacking neighborhoods of London to amuse myself, Pocket. What kind of tyrant do you think me?† â€Å"Oh, above average, sire. Well above bloody average.† â€Å"I'll have you speak no more of war, fool. You've too sweet a nature for such dastardly pursuits.† Too sweet? Moi? Methinks the art of war was made for fools, and fools for war. Kensington trembled that night. On the road to Gloucester I let my anger wane and tried to comfort the old king as best I could by lending him a sympathetic ear and a gentle word when he needed it. â€Å"You simple, sniveling old toss-beast! What did you expect to happen when you put the care of your half-rotted carcass in the talons of that carrion bird of a daughter?† (I may have had some residual anger.) â€Å"But I gave her half my kingdom.† â€Å"And she gave you half the truth in return, when she told you she loved you all.† The old man hung his head and his white hair fell in his face. We sat on stones by the fire. A tent was set in the wood nearby for the king's comfort, as there was no manor house in this northern county for him to take refuge. The rest of us would sleep outside in the cold. â€Å"Wait, fool, until we are under the roof of my second daughter,† said Lear. â€Å"Regan was always the sweet one, she will not be so shabby in her gratitude.† I had no heart to chide the old man any more. Expecting kindness from Regan was hope sung in the key of madness. Always the sweet one? Regan? I think not. My second week in the castle I found young Regan and Goneril in one of the king's solars, teasing little Cordelia, passing a kitten the little one had taken a fancy to over her head, taunting her. â€Å"Oh, come get the kitty,† said Regan. â€Å"Be careful, lest it fly out the window.† Regan pretended she might throw the terrified little cat out the window, and as Cordelia ran, arms stretched out to grab the kitten, Regan reeled and tossed the kitten to Goneril, who swung the kitten toward another window. â€Å"Oh, look, Cordy, she'll be drowned in the moat, just like your traitor mother,† said Goneril. â€Å"Nooooooo!† wailed Cordelia. She was nearly breathless from running sister to sister after the kitten. I stood in the doorway, stunned at their cruelty. The chamberlain had told me that Cordelia's mother, Lear's third queen, had been accused of treason and banished three years before. No one knew exactly the circumstances of the crime, but there were rumors that she had been practicing the old religion, others that she had committed adultery. All the chamberlain knew for sure was that the queen had been taken from the tower in the dead of night, and from that time until my arrival at the castle, Cordelia had not uttered a coherent syllable. â€Å"Drowned as a witch, she was,† said Regan, snatching the kitten out of the air. But this time the little kitten's claws found royal flesh. â€Å"Ow! You little shit!† Regan tossed the kitten out the window. Cordelia loosed an ear-shattering scream. Without thinking I dived through the window after the cat and caught the braided cord with my feet as I flew through. I caught the kitten about five feet below the window as the cord burned between my ankles. Not having thought the move completely through, I hadn't counted on how to catch myself, kitten in hand, when the cord slammed me into the tower wall. The cord tightened around my right ankle. I took the impact on that shoulder and bounced while I watched my coxcomb flutter like a wounded bird to the moat below. I tucked the kitten into my doublet, then climbed back up the cord and in through the window. â€Å"Lovely day for a constitutional, don't you think, ladies?† The three of them all stood with their mouths hanging open, the older sisters had backed against the walls of the solar. â€Å"You lot look like you could use some air,† said I. I took the kitten from my doublet and held it out to Cordelia. â€Å"Kitty's had quite an adventure. Perhaps you should take her to her mum for a nap.† Cordelia took the kitten from me and ran out of the room. â€Å"We can have you beheaded, fool,† said Regan, shaking off her shock. â€Å"Anytime we want,† said Goneril, with less conviction than her sister. â€Å"Shall I send in a maid to tie back the tapestry, mum?† I asked, with a grand wave to the tapestry I'd loosed from the wall when I leapt. â€Å"Uh, yes, do that,† commanded Regan. â€Å"This instant!† â€Å"This instant,† barked Goneril. â€Å"Right away, mum.† And with a grin and a bow, I was gone from the room. I made my way down the spiral stairs clinging to the wall, lest my heart give out and send me tumbling. Cordelia stood at the bottom of the stairs, cradling the kitten, looking up at me as if I were Jesus, Zeus, and St. George all back from a smashing day of dragon slaying. Her eyes were unnaturally wide and she appeared to have stopped breathing. Bloody awe, I suppose. â€Å"Stop staring like that, lamb, it's disturbing. People will think you've a chicken bone caught in your throat.† â€Å"Thank you,† she said, with a great, shoulder-shaking sob. I patted her head. â€Å"You're welcome, love. Now run along, Pocket has to fish his hat from the moat and then go to the kitchen and drink until his hands stop shaking or he drowns in his own sick, whichever comes first.† She backed away to let me pass, never taking her eyes from mine. It had been thus since the night I arrived at the tower – when her mind first crept out from whatever dark place it had been living before my arrival – those wide, crystal-blue eyes looking at me with unblinking wonder. The child could be right creepy. â€Å"Do not make yourself a maid to surprise, nuncle,† said I. I held the reins of my and the king's horse as they drank from an ice-laced stream some hundred miles north of Gloucester. â€Å"Regan is a treasure to be sure, but she may have the same mind as her sister. Although they will deny it, it's often been the case.† â€Å"I cannot think it so,† said the king. â€Å"Regan will receive us with open arms.† There was a racket behind us and the king turned. â€Å"Ah, what is this?† A gaily painted wagon was coming out of the wood toward us. Several of the knights reached for swords or lances. Captain Curan waved for them to stand at ease. â€Å"Mummers, sire,† said the Captain. â€Å"Aye,† said Lear, â€Å"I forgot, the Yule is nearly on us. They'll be going to Gloucester as well, I'll wager, to play for the Yule feast. Pocket, go tell them that we grant them safe passage and they may follow our train under our protection.† The wagon creaked to a stop. Happening upon a train of fifty knights and attendants in the countryside would put any performer on guard. The man driving the wagon stood at the reins and waved. He wore a grand purple hat with a white plume in it. I leapt the narrow stream, and made my way up the road. When the driver saw my motley he smiled. I, too, smiled, in relief – this was not the cruel master from my own days as a mummer. â€Å"Hail, fool, what finds you so far from court and castle?† â€Å"I carry my court with me and my castle lies ahead, sirrah.† â€Å"Carry your court? Then that white-haired old man is – â€Å" â€Å"Aye, King Lear himself.† â€Å"Then you are the famous Black Fool.† â€Å"At your bloody service,† said I, with a bow. â€Å"You're smaller than in the stories,† said the big-hatted weasel. â€Å"Aye, and your hat is an ocean in which your wit wanders like a lost plague ship.† The mummer laughed. â€Å"You give me more than my due, sirrah. We trade not in wit like you, wily fool. We are thespians!† With that, three young men and a girl stepped out from behind the wagon and bowed gracefully and with far too much flourish than was called for. â€Å"Thesbians,† said they, in chorus. I tipped my coxcomb. â€Å"Well, I enjoy a lick of the lily from time to time myself,† said I, â€Å"but it's hardly something you want to paint on the side of a wagon.† â€Å"Not lesbians,† said the girl, â€Å"thesbians. We are actors.† â€Å"Oh,† said I. â€Å"That's different.† â€Å"Aye,† said big hat. â€Å"We've no need of wit – the play's the thing, you see. Not a word passes our lips that hasn't been chewed thrice and spat out by a scribe.† â€Å"Unburdened by originality are we,† said an actor in a red waistcoat. The girl said, â€Å"Although we do bear the cross of fabulously shiny hair – â€Å" â€Å"Blank slates, we are,† said another of the actors. â€Å"We are mere appendages of the pen, so to speak,† said big hat. â€Å"Yeah, you're a bloody appendage, all right,† I said under my breath. â€Å"Well, actors then. Smashing. The king has bade me tell you that he grants you safe passage to Gloucester and offers his protection.† â€Å"Oh my,† said big hat. â€Å"We are only going as far as Birmingham, but I suppose we could double back from Gloucester if his majesty wishes us to perform.† â€Å"No,† said I. â€Å"Please, do pass through and on to Birmingham. The king would never impede the progress of artists.† â€Å"You're certain?† said big hat. â€Å"We've been rehearsing a classic from antiquity, Green Eggs and Hamlet, the story of a young prince of Denmark who goes mad, drowns his girlfriend, and in his remorse, forces spoiled breakfast on all whom he meets. It was pieced together from fragments of an ancient Merican manuscript.† â€Å"No,† said I. â€Å"I think it will be too esoteric for the king. He is old and nods off during long performances.† â€Å"Shame,† said big hat. â€Å"A moving piece. Let me do a selection for you. ‘Green eggs, or not green eggs? That is the question. Whether 'tis nobler in the mind to eat them in a box, with a fox – ‘† â€Å"Stop!† said I. â€Å"Go now, and quickly. War has come to the land and rumor has it that as soon as they've finished with the lawyers, they're going to kill all the actors.† â€Å"Really?† â€Å"Aye,† I nodded most sincerely. â€Å"Quick, on to Birmingham, before you are slaughtered.† â€Å"Everyone jump on,† said big hat, and the actors did as directed. â€Å"Fare thee well, fool!† Then he snapped the reins and drove off, the wagon's wheels bouncing in the ruts of the road. Lear's train parted and watched as the team pulled the wagon by at a gallop. â€Å"What was that?† asked Lear when I returned. â€Å"Wagonload of knobs,† said I. â€Å"Why do they hurry, so?† â€Å"We commanded it so, nuncle. Half their troupe is ill with fever. We want them nowhere near your men.† â€Å"Oh, good show, then, lad. I thought you might be missing the life and were going to join their troupe.† I shuddered at the thought. It had been a cold December day like this when I'd first come to the White Tower with my mummer troupe. We were decidedly not thespians, but singers, jugglers, and acrobats, and I a special asset because I could do all three. Our master was a crooked Belgian named Belette, who bought me from Mother Basil for ten shillings and the promise to feed me. He spoke Dutch, French, and a very broken English, so I don't know how he managed to secure the White Tower for a performance that Christmas, but I was told later that the troupe that was supposed to have performed had suddenly taken ill with stomach cramps and I suspect that Belette poisoned them. I had been with Belette for months, and except for the beatings and cold nights sleeping under a wagon, I had received little but my daily bread, the occasional cup of wine, and the skills of knife-throwing and sleight of hand as it could be applied to purse cutting. We were led into the great hall at the tower, which was filled with nobles reveling and feasting on platters of food such as I had never seen. King Lear sat at the center of the main table, flanked by two beautiful girls about my age, who I would later find out were Regan and Goneril. Beside Regan sat Gloucester, his wife, and their son Edgar. The intrepid Kent sat on the other side next to Goneril. Under that table, at Lear's feet, a little girl was curled up, watching the celebration – wide-eyed, like a frightened animal, clinging to a rag doll. I must confess, I thought the child might be deaf or even simpleminded. We performed for perhaps two hours, singing songs of the saints during dinner, then moving on to bawdier fare as the wine flowed and the guests loosened their hold on propriety. By late in the evening everyone was laughing, the guests were dancing with the performers, and even the commoners who lived in the castle had joined the party, but the little girl remained under the table, making not a sound. Not a smile, not an eyebrow raised in delight. There was light there behind those crystal-blue eyes – this was not a simpleton – but she seemed to be staring out of them from afar. I crawled under the table and sat next to her. She barely acknowledged my presence. I leaned in close and nodded toward Belette, who stood by a column near the center of the hall, leering lecherously at the young girls who frolicked about him. I could see the little girl spied the scoundrel, too. Ever so softly, I sang a little song the anchoress had taught me, with the lyrics changed a bit to adapt to the situation. â€Å"Belette was a rat, was a rat, was a rat, was a rat, Belette was a rat, was a rat, was a rat, was a rat, Belette was a rat who ate his tail.† And the little girl pulled back and looked at me, as if to see if I had really sung such a thing. And I sang on: â€Å"Belette was a rat, was a rat, was a rat, Belette was a rat, was a rat, was a rat, Belette was a rat, who drowned in a pail.† And the little girl cackled – a broken, little-girl yodel of a laugh that rang of innocence and joy and delight. I sang on, and ever so softly, she sang with me, â€Å"Belette was a rat, was a rat, was a rat, Belette was a rat – â€Å" And we were no longer alone under the table. There was another pair of crystal-blue eyes, and behind them a white-haired king. The old king smiled and squeezed my biceps. And before the other guests noticed that the king was under the table, he sat back up on his throne, but he reached down and lay a hand across the little girl's shoulder and the other upon mine. It was a hand reached across a vast chasm of reality – from the highest position of ruler of the realm, to a lowborn orphan boy who slept in the mud under a wagon. I thought it must have been how a knight felt when the king's sword touched his shoulder, elevating him to nobility. â€Å"Was a rat, was a rat, was a rat,† we sang. When the party died down and noble guests hung drunk over the tables, the servants piled onto the floor before the fire, Belette began to move among the revelers and tap each of his performers, calling them to gather by the door. I had fallen asleep under the table, and the little girl against my arm. He pulled me up by my hair. â€Å"You did nothing all night. I watched.† I knew there was a beating in store for when we got back to the wagon, and I was prepared for it. At least I had eaten some supper at the feast. But as Belette turned to drag me away he stopped, abruptly. I looked up to see the master frozen in space, a sword-point pressed into his cheek just below his eye. He let go of my hair. â€Å"Good thought,† said Kent, the old bull, pulling his sword back, but holding it steadily aimed, a hand's breadth from Belette's eye. There was a sound of coin on the table and Belette couldn't help but look down, even at the peril of his life. A doeskin purse as big as a man's fist lay before him. The chamberlain, a tall, severe chap who looked perpetually down his nose, stood beside Kent. He said, â€Å"Your payment, plus ten pounds, which you shall accept as payment for this boy.† â€Å"But – † said Belette. â€Å"You are a word from your mortality, sirrah,† said Lear. â€Å"Do go on.† He sat straight and regal on his throne, one hand pressed to the cheek of the little girl, who had awakened and was clinging to his leg. Belette took the purse, bowed deeply, and backed across the hall. The other mummers of my troupe bowed and followed him out. â€Å"What is your name, boy?† asked Lear. â€Å"Pocket, your majesty.† â€Å"Well, then, Pocket, do you see this child?† â€Å"Yes, majesty.† â€Å"Her name is Cordelia. She is our youngest daughter, and henceforth shall be your mistress. You have one duty above all, Pocket. That is to make her happy.† â€Å"Yes, majesty.† â€Å"Take him to Bubble,† said the king. â€Å"Have her feed and bathe him, then find him new clothes.† Back on the road to Gloucester, Lear said, â€Å"So, what is your will, Pocket? Would you be a traveling mummer again – trade the comfort of the castle for the adventure of the road?† â€Å"Apparently, I have, nuncle,† said I. We camped at the stream, which froze over during the night. The old man sat shivering by the fire with his rich fur cloak wrapped around him; the garment so full and the man so slight that it appeared he was being consumed by a slow but well-groomed beast. Only his white beard and the hawk nose were visible outside the cloak – two stars of fire shone back in the cape creature, his eyes. Snow fell around us in great wet orgies of flakes, and my own woolen cloak, which I'd pulled over my head, was sodden. â€Å"Have I been so unfit as a father that my daughters would turn on me so?† asked Lear. Why, now, did he choose to stare into the dark barrel of his soul, when he'd been content all these years to simply scoop out his desires and let the consequences wash over whomever they may? Bloody inopportune time for introspection, after you've given away the roof over your head. But I did not say so. â€Å"What would I know of proper fathering, sire? I had no father nor mother. I was reared by the Church, and I'd not give a hot squirt of piss for the lot of them.† â€Å"Poor boy,† said the king. â€Å"As long as I live, you shall have father and family.† I would have pointed out that he had himself declared his crawl to the grave commenced, and that given his performance with his daughters, I might do better to go forth an orphan, but the old man had rescued me from the life of a slave and wanderer, and given me a home in the palace, with friends and, I suppose, family of a sort. So I said, â€Å"Thank you, majesty.† The old man sighed heavily and said, â€Å"None of my three queens ever loved me.† â€Å"Oh, for fuck's sake, Lear, I'm a jester, not a bloody wizard. If you're going to keep diving into the muck of your regrets then I'll just hold your sword for you and you can see if you can get your ancient ass moving enough to fall on the pointy part so we can both get some bloody peace.† Lear laughed then – twisted old oak that he was – and patted my shoulder. â€Å"I could ask nothing more of a son than he give me laughter in my despair. I'm off to bed. Sleep in my tent, tonight, Pocket, out of the cold.† â€Å"Aye, sire.† I was touched by the old man's kindness, I cannot deny it. The old man tottered over to his tent. One of the pages had been carrying hot stones into the tent for an hour and I felt the heat rush out as the king ducked inside. â€Å"I'll be in after I've had a wee,† said I. I walked to the edge of the fire's light and beside a great bare elm was relieving myself when a blue light shimmered in the forest before me. â€Å"Well, that's a woolly tuft of lamb wank,† said a woman's voice, just as the girl ghost stepped out from behind the tree upon which I was weeing. â€Å"God's balls, wisp, I've almost peed on you!† â€Å"Careful, fool,† said the ghost, looking frighteningly solid now – just a tad translucent – snowflakes were passing through her. But I was not frightened. â€Å"Warm thy grateful heart, In the king's family, But for his royal crimes, You'd not an orphan be.† â€Å"That's it?† I asked. â€Å"Rhymes and riddles? Still?† â€Å"All you need for now,† said the ghost. â€Å"I saw the witches,† said I. â€Å"They seemed to know you.† â€Å"Aye,† said the ghost. â€Å"There's dark deeds afoot at Gloucester, fool. Don't lose sight.† â€Å"Sight of what?† But she was gone, and I was standing in the woods, my willie in my hand, talking to a tree. On to Gloucester in the morning, and I'd see what I was not to lose sight of. Or some such nonsense. Cornwall's and Regan's flags flew over the battlements alongside Gloucester's, showing they had already arrived. Castle Gloucester was a bundle of towers surrounded by a lake on three sides and by a wide moat at the front – no outer curtain wall like the White Tower or Albany, no bailey, just a small front courtyard and a gatehouse that protected the entrance. The city wall, on the land side of the castle, provided the outer defenses for stables and barracks. As we approached, a trumpet sounded from the wall announcing us. Drool came running across the drawbridge, his arms held high. â€Å"Pocket, Pocket, where have you been? My friend! My friend!† I was greatly relieved to see him alive, but the great, simple bear pulled me from my horse and hugged me until I could barely breathe, dancing me in a circle, my feet flying in the air as if I was a doll. â€Å"Stop licking, Drool, you lout, you'll wear my hair off.† I clouted the oaf on the back with Jones and he yowled. â€Å"Ouch. Don't hit, Pocket.† He dropped me and crouched, hugging himself as if he were his own comforting mother, which he may have been, for all I know. I saw red-brown stains on his shirt back, and so lifted it to see the cause. â€Å"Oh, lad, what has happened to you?† My voice broke, tears tried to push out of my eyes, and I gasped. The muscular slab of Drool's back was nearly devoid of skin – his hide had been torn and scabbed over and torn again by a vicious lash. â€Å"I've missed you most awful,† said Drool. â€Å"Aye, me too, but how happened these stripes?† â€Å"Lord Edmund says I am an insult to nature and must be punished.† Edmund. Bastard.

Information Security and Management Syllabus Essay

Confidentiality and Security, Security Policy and Operations Life Cycle, Security System Development and Operations Secure Networking Threats The Attack Process. Attacker Types. Vulnerability Types. Attack Results. Attack Taxonomy. Threats to Security: Physical security, Biometric systems, monitoring controls, and Data security and intrusion and detection systems. Encryption Techniques Conventional techniques, Modern techniques, DES, DES chaining, Triple DES, RSA algorithm, Key management. Message Authentication and Hash Algorithm, Authentication requirements and functions secure Hash Algorithm, Message digest algorithm, digital signatures. AES Algorithms. Designing Secure Networks Components of a Hardening Strategy. Network Devices. Host Operating Systems. Applications. Appliance-Based Network Services. Rogue Device Detection, Network Security Technologies The Difficulties of Secure Networking. Security Technologies. Emerging Security Technologies General Design Considerations, Layer 2 Security Considerations. IP Addressing Design Considerations. ICMP Design Considerations. Routing Considerations. Transport Protocol Design Considerations. Network Security Platform Options Network Security Platform Options. Network Security Device Best Practices, Common Application Design Considerations. E-Mail. DNS. HTTP/HTTPS. FTP. Instant Messaging. IPsec VPN Design Considerations VPN Basics. Types of IPsec VPNs. IPsec Modes of Operation and Security Options. Topology Considerations. Design Considerations. Site-to-Site Deployment Examples. Secure Network Management and Network Security Management Organizational Realities. Protocol Capabilities. Tool Capabilities. Secure Management Design Options. Network Security Management, Firewalls, Trusted systems, IT act and cyber laws. Text Books: 1. Sean Convery, â€Å" Network Security Architectures, Published by Cisco Press, First Ed. 2004 2. William Stalling â€Å"Cryptography and Network Security† Fourth Ed. , Prentice Hall, 2006 Reference Books: 1. Charles P. Pfleeger, Shari Lawrence Pfleeger, â€Å"Security in Computing† 3rd Edition, Prentice Hall, 2003 2. Jeff Crume â€Å"Inside Internet Security† Addison Wesley, 2003 ISM 184 INFORMATION SECURITY POLICIES IN INDUSTRY L T/P C 3 1 4 Introduction to Information Security Policies About Policies – why Policies are Important – When policies should be developed – How Policy should be developed – Policy needs – Identify what and from whom it is being protected – Data security consideration – Backups, Archival storage and disposal of data – Intellectual Property rights and Policies – Incident Response and Forensics – Management Responsibilities – Role of Information Security Department – Security Management and Law Enforcement – Security awareness training and support . The student will have to present the progress of the work through seminars and progress report. A report must be submitted to the University for evaluation purpose at the end of the semester in a specified format. ISM481 THESISL T/P C 0 0 16 The student will submit a synopsis at the beginning of the semester for the approval from the project committee in a specified format. Synopsis must be submitted within two weeks. The first defense, for the dissertation work, should be held with in two months time. Dissertation Report must be submitted in a specified format to the project committee for evaluation purpose at the end of semester.

Disagreements between the management and workers

Disagreements between the management and workers This report is aimed at discussing the options that the management of a company can take provided that the negotiations with the labor union reach a deadlock. In particular, one should focus on the involvement of strikebreakers, lockouts, mediation, and arbitration.Advertising We will write a custom report sample on Disagreements between the management and workers specifically for you for only $16.05 $11/page Learn More These are the main strategies that can be identified. In this case, the main goal is to find ways of resolving the conflict between employees and business administration. Therefore, one should seek a decision that can benefit various stakeholders. First of all, the management can involve strikebreakers who can maintain the functioning of the organization. In most cases, companies do not have a right to substitute the union employees in this way. Furthermore, they cannot dismiss workers because they are the members of a trade union. Neverthele ss, an organization is allowed to replace striking employees in order to maintain or re-start the operations of a company. This strategy is plausible in those cases when the disruptions of the operations can put the sustainability of an organization at risk. This is one of the aspects that can be identified. Another strategy that can be taken is lockouts. This means that a company does not enable the employees to enter the workplace during the negotiations. For instance, a business can hire the guards who will prevent the workers from entering the premises. This option can be legal only if the requirements of the labor unions can endanger the financial sustainability of a company. The main similarity of the first two options is that they can be legitimate only in several circumstances. Additionally, the involvement of strikebreakers and the use of lockouts are not likely to resolve the conflict between the management and workers. More likely, these strategies can assist business to avoid costly disruptions. These are some of the main limitations that should be considered.Advertising Looking for report on business economics? Let's see if we can help you! Get your first paper with 15% OFF Learn More There are two other options that can be selected. In particular, one can speak about mediation which means that employers and trade unions involve a third party. This organization can recommend a decision that can meet the needs of businesses and trade unions. On the whole, mediators should be impartial, and they should consider the interests of various stakeholders. This is one of the most requirements that can be singled out. However, one should keep in mind that this recommendation cannot be imposed on the parties. Trade unions and employees are not legally required to accept the decision of a mediator. This is one of the points that can be made. Finally, it is necessary to speak about arbitration. This option is also based on the premise that employers and trade unions attract an impartial third-party. The most important difference is that the decision of the arbiter has a binding power for the management and labor unions. Therefore, both parties should make sure that the third party is objective in its evaluation of the conflict. This is one of the main distinctions that should be taken into account. Overall, these examples suggest that the most suitable options are mediation and arbitration because in this way, both sides can place themselves in the position of one another. Lockouts and the use of strikebreakers can help a business to maintain operations. Nevertheless, they are suitable for settling disagreements between the management and workers. These are the main options that should be considered.Advertising We will write a custom report sample on Disagreements between the management and workers specifically for you for only $16.05 $11/page Learn More

Turn Your Teacher Weaknesses Into Assets to Get the Job

Turn Your Teacher Weaknesses Into Assets to Get the Job One interview question that can stump even seasoned job-seeking educators is What is your greatest weakness as a teacher? This question may come at you disguised as What would you most like to change/improve about yourself? or What frustrations did you encounter in your last position? This weakness question really tags as an opportunity to Describe your strengths. Your response can tip the interview in your favor or send your resume to the bottom of the pile. Forget Conventional Wisdom In the past conventional wisdom recommended putting a spin on this question by describing an actual strength camouflaged  as a weakness. For example, you might have tried to be clever and offered perfectionism as your weakness, explaining that you refuse to quit until the job gets done right. But in responding to your weaknesses, you should should stay away from any personal qualities. Save your personal qualities such as perfectionism, enthusiasm, creativity, or patience for describing strengths. In responding to a question about a weakness, you should offer more professional traits. For example, you may recall how you noticed your attention to detail, organization, or problem-solving may have needed improvement. Once you have provided the trait, you should provide details on how you purposefully worked to address this weakness. Include any of the steps you have taken or are currently taking to mitigate this weakness. Here are two examples of how you might respond to a question about your greatest weakness. Corrected Weakness: Organization For example, you can state that you have been less excited about the amount of paperwork that comes along with a classroom of students. You may admit that in the past you tended to procrastinate on assessing classwork or homework. You can also admit to having found yourself on more than one occasion scrambling to catch up right before the grading period ended. You might feel like your honesty leaves you vulnerable. But, if you go on to explain that in order to combat this tendency, you set a schedule for yourself this past school year that dedicated time every day to paperwork, you will be viewed as a problem solver. You might include other strategies you used such as self-grading assignments whenever practical, which allowed students to assess their own work as you discussed the answers together in class. As a result, you can acknowledge that you learned to stay on top of your grading and needed a short time at the end of each period to compile the information. For new teachers, examples like this could come from student teaching experiences. Now an interviewer will see you as self-aware and reflective, both highly desirable attributes in a teacher. Corrected Weakness: Seeking advice Teachers are independent, but that can lead to isolation in problem solving, and some problems may necessitate advice from others.This is particularly true in dealing with confrontational situations such as dealing with an irate parent or a teachers aide who arrives late to your class every day. You might admit that you may have tried to solve some problems on your own, but upon reflection, felt it was necessary to seek the advice of others. You can explain how you found the teacher next door to you or an administrator was important in helping you address different kinds of uncomfortable confrontations. If you are an educator looking for first job, you may not have classroom experiences to use as examples. But dealing with confrontations is a life skill and not limited to the school building. In this case, you can provide examples of problem-solving confrontations you may have had at college or at another job. Seeking the advice of others shows that you can identify people or groups that can be resources instead of trying to tackle confrontational problems on your own. Self analysis Employers know job candidates have weaknesses, says Kent McAnally, director of career services at Washburn University. They want to know that we are doing the self-analysis to identify what ours are, he writes for the American Association for Employment in Education. Showing that you are taking steps to improve is essential to making a positive impression, but more importantly, it is essential for developing your personal and professional goals and development plans. And THAT is the real reason for the question. Tips to Master the Interview Be truthful.Do not try to guess what the interviewer wants to hear. Answer questions candidly and present your authentic self.Prepare for the question but do not let your answers sound coached.Remain positive as you explain how your weakness could be seen as a positive in the job.Avoid using negative words like â€Å"weak† and â€Å"failure.†Smile!